Gerald (with his son's input) gives us a series of witty monologues concerning life in a typical elder home. As both his mental and physical condition deteriorate, he moves from Independent Living to Assisted Living and, finally, Death. In so doing, father and son plunder a variety of texts, refunctioning them to fit this gerontic narrative into a sampler culture.
About the Author
James Hugunin teaches the History of Photography and Contemporary Theory at the School of the Art Institute of Chicago. He is the author of four experimental novels (the first of which critic/writer Derek Pell called "the best experimental novel of 2012"), two books of art criticism/theory, and numerous artist books. He is the founder and editor of two art journals, The Dumb Ox (1976-80) and U-Turn (1982-present). In 1983, he won the first Reva and David Logan Award for Distinguished New Writing in Photography from the N.E.A. and The Photographic Resource Center, Boston, MA. He is the author of Wreck & Ruin: Photography, Temporality, and World (Dis)order (2013) and Writing Pictures: Case Studies in Photographic Criticism 1983- 2012 (2013), as well as the novels Elder Physics: The Wrong of Time: Stories from an Elder Home (2013), Something is Crook in Middlebrook (2012), Tar Spackled Banner (2014), Case X (2015), Afterimage: Critical Essays on Photography (2016), Q_A: An Auto-Interview (2017), Finding Mememo: A Book in Search of an Author (2019) and Picky Hunting: A Journal of the Plague Year (2021), all published by JEF Books (The Journal of Experimental Fiction).